Authority: Essays

Forthcoming from Farrar, Straus & Giroux on 4/8/2025. Preorder here.

A bold, provocative collection of essays on one of the most urgent questions of our time: What is authority when everyone has an opinion on everything?

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1. Chu places The Phantom of the Opera within a centuries-old conflict between music and drama; questions the enduring habit of reading Octavia Butler’s science fiction as a parable of slavery; and charges fellow critics like Maggie Nelson and Zadie Smith with a complacent humanism.

Criticism today is having a crisis of authority—but so says every generation of critics. In two magisterial new essays, Chu offers a revised intellectual history of this perennial crisis, tracing the surprisingly political contours of criticism from its origins in the Enlightenment to our present age of social media. Rather than succumbing to an endless cycle of trumped-up emergencies, Authority makes a compelling case for how to do criticism in light of the genuine crises, from authoritarianism to genocide, that confront us today.

Females

Published by Verso Books in 2019. Order here.

An exploration of gender and desire from our most exciting new public intellectual

“Everyone is female, and everyone hates it.” So begins Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.

Drawing inspiration from a forgotten play by Valerie Solanas—the woman who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential condition that afflicts the entire human race—men, women, and everyone else. Or maybe she’s just projecting.

A thrilling new voice who has been credited with launching the “second wave” of trans studies, Chu shows readers how to write for your life, baring herself with a morbid sense of humor and a mordant kind of hope.

“Desire deserves a description. So does the gender self-loathing of the “female” who is, it turns out, “all of us.” With these theses, Andrea Long Chu inspires thrilled and dark passions because she has them and because she believes in smart and smarting arguments for them. The sentences are alive and veer toward surprise but also toward a tender wish for an easier conventional life for gender.” —Lauren Berlant, author of Cruel Optimism